Here you will find all news strips previously on our Home Page, descending from the newest at the top, to the oldest at the bottom.
The havana chronicles
New film pages have been added to tdklinger about an upcoming series of projects -
The Havana Chronicles
Hot, steamy, innocence blown away by intense sudden and unexpected, extreme violence. A beautiful girl seeks to destroy her family and everyone around her.
Click the button below to find out more!
Joe Sultana Joins Give-Get-Go!
Give-Get-Go, the media organisation headed up by filmmaker Tony Klinger today announced the appointment of Joseph (Joe) Sultana as its Chief Operations Officer with immediate effect.
"Joe comes to GGG with his tremendous enthusiasm, energy and knowledge of what it's like to get things done as an engineer and in the school of hard knocks of an entertainment entrepreneur. That's the kind of man we want, methodical but prepared to take on all challenges and keep going, and besides which he's a great guy."
Joseph will be responsible for Operations across all aspects of GGG including Films, Documentaries, Coaching, Education and Audio.
To quote Joe, "I jumped at the chance to join Tony and the Give-Get-Go family to deliver top quality entertainment, training and educational services. It's a young company but it's built on the Klinger family's history in the film and entertainment industry going back to the 1950's. The past was great but the future for GGG is even better and more exciting."
Sultana, whose own original story Reaper's Shadow became a script written by Klinger that GGG then produced as an audio production now ready for release and will be followed by sequels, novels and an e-game and a feature film. The pair came together when the Romford Film Festival organised by Joseph Sultana awarded Klinger with their Lifetime Achievement Award.
Dirty, Sexy & Totally Iconic
Last week, on Friday the 25th, in Northampton, Tony along with his partners at AR Media filmed a segment for the upcoming Get Carter 50th Celebration film
'Dirty Sexy & Totally Iconic'
More details to follow, watch this space for more information!
The Ted Lewis Centre Opening
GOOD AFTERNOON LADIES AND GENTLEMEN,
I asked Monty to deliver this brief speech to you on behalf of myself and the Klinger family. As most of you know we have a real connection with Ted Lewis, his book, originally known as Jack’s Return Home and what became the iconic cult film Get Carter. My father, Michael Klinger, discovered the book, then he produced that wonderful film with your Honorary Lifetime Member, my friend, Mike Hodges directing.
I thank my dad for finding that book, and I thank Ted for writing it. Despite all the other films Mike or my dad or me have made this is the one that sticks in everyone’s mind and heart. It resonates because it captured our mood, a period in time, our passions and above all how we think and feel. That all originated with the pen of Ted Lewis. Without Ted the film would not have existed and a whole genre of British films would never have existed. Without Get Carter there would not have been a Long Good Friday or a Lock Stock and a thousand lesser films. Yes, it was really that seminal and important to our culture.
Whatever other gifts or problems Ted enjoyed or suffered this story, above all others we have created, has travelled down the ages. It is half a century since that film was made but everyone who saw it remembers it, and what it means to them. I know this for a fact because I am currently making a film about this film and it’s difficult to believe the tidal wave of interest in this story even though it took place fifty years ago.
When you see my film next year you will reach your own conclusions why this should be the case but I think that every so often we can get lucky. I well remember and own up to getting this all wrong originally. Don’t misunderstand me, we instantly wanted to make this film from the moment the galley proof of the book found its way into our hands before it was published.
For some reason I thought the title ‘Get Carter’ was terrible, and I also stated that Michael Caine would be too soft to play such a hard man as Jack Carter. Boy, was I wrong on both counts? I also wanted to shoot the original in New Jersey, with Steve McQueen, not Michael Caine starring. What was I thinking? My excuse is that I was young and foolish. Now I’m old, but still foolish, but savvy enough to keep my mouth firmly shut.
One day I will publicly share how I found the location for the gangster’s flat in London and what I was really doing for a week or two in Newcastle while the filming of Get Carter was undertaken. I was supposed to be in Glasgow filming my own documentary Extremes, but we were having way too much fun in the Toon. Suffice it to say it all involved the lovely young women of the North East but beyond that fact my lips are tightly sealed. I already admitted I was young and foolish.
For today I wished, as your proud Patron, to share my fraternal greetings, and to apologize for not being able to attend, but it is for the best of reasons as I am filming in Northampton.
I look forward to the day when I will be able to attend and discover the magic of the facility your hard work and persistence has created that we can now all share and enjoy.
I also hope to include your participation in our documentary when we film the next sections about the making of Get Carter in a couple of months. In the meantime, I wish the Ted Lewis Centre every success and heartily applaud all of you who made this possible. Well done and congratulations, you should be very proud and on behalf of everyone I thank you.
1st September 2020
The Ted Lewis Centre
An Update from Tony Klinger
I am proud to share the news that I have been appointed the first Patron for The Ted Lewis Centre, an Archive and Standing Exhibition opening the 1st September in Barton upon Humber.
There will be an informal opening ceremony at 12:30 on 1st September, but in order to comply with Government Covid Rules the organisation are obliged to limit that brief ceremony to members of the Ted Lewis Group, the Ted Lewis Centre and those immediately engaged in the establishment of the Centre.
Going forward, the Centre will be open 10:00 to 16:00 on Heritage Open Days, 12th, 13th and 19th September 2020 and thereafter every Sunday and Bank Holiday save for Christmas and New Year. Additional days will be advertised and individual study or group visits are available to book.
Give-Get-Go Audio Launches
“The time to launch new ventures is when everyone else is retreating” said Give-Get-Go founder and CEO Tony Klinger, “This is a pretty simple concept I developed to help create work and opportunities for the creative community both locally in Northampton and nationally.”
Give-Get-Go has created a team of actors called THE GIVE-GET-GO Players who will participate in producing a series of full radio dramas based on film scripts which the company either own or are involved with and have in various stages of development.
Give-Get-Go along with its production associates at AR Media (the studio) together record the audio dramas at their facilities.
“So far we have produced “Reaper's Shadow” which Joe Sultana and I wrote and which I directed.”
Later this month Give-Get-Go are recording “Sweet Dreams” with writer Sen Monro and his Company, Gripping Yarns, again directed and produced by Klinger.. “Next month we start production of 3 more co-op projects, The Havana Chronicles. We estimate that these will take us through September to the end of 2020.”Klinger and GiveGetGo intend to keep producing and already have enough material to keep going for the next two years.
The long term goal is to seek markets for these productions which will be marketed and promoted through all the many links GGG already enjoys especially Jeeni, a new platform coming on stream presently and as podcasts. There is also the possibility of these productions finding an even larger audience via mainstream radio dramas. Klinger added, "We do have international distribution and sales links to enable these activities but as a worst case scenario we will be able to deliver a first class audio demonstration of all our participants' talent".
During these dark and uncertain days for the creative community it’s encouraging to see an ambitious and courageous British media production company creating great new content.
For further information contact
How To Make A Living From Your Creativity
New Announcement From Tony Klinger
“Next week I will launch some film and creative industry hints and tips leading to a full series on https://www.give-get-go.com in the summer.
Basically the theme is ‘how do you make a living from your creativity’ as I take it we are all creative geniuses in this room.
This series of videos will not be how to point your camera or operate your computer this is about how do you get money for doing so because being able to pay for eating, your car and the rent helps you be more creative.
I shall try some pre-recorded sample tasters and then we might go to live and interactive. What do you prefer, pre-recorded or live?
I should add that these "hints and tips" will be
FREE TO ACCESS and AVAILABLE TO ALL COMERS.
Watch This Space For Future Updates.
Stories From The Front Line
Tony participated in an interesting Facebook challenge among his friends and followers recently.
The challenge was to create a list of 10 unbelievable people, nine of which you have actually met, including one trick, and then have your audience guess which!
Tony had a great time telling his followers amazing stories in which he encountered the likes of legends such as Orson Welles, Mickey Rooney, Twiggy, Elmer Bernstein and more!
Watch this space as well as the new page in the 'Catalogue' drop down menu at the top of this page, we will be posting all of these stories in the coming days one by one starting with the iconic Orson Welles!
Making A Living From Your Creativity
Tony wasn't the only one who had a great time at his talk 'Making a Living From Your Writing' on the 26th last week!
Many audience members have responded with Great Enthusiasm and Humor to our Survey about the recent talk, here's what they had to say...
"Tony Klinger it was a great evening - a masterclass in communicating gems of business wisdom within a hugely entertaining talk.."
“The only reason I didn’t give you full marks all round was to avoid you having difficulty getting through the door with such a swollen head.”
Wow! Wow! Wow !
That wasn't what I expected.
I was prepared for some rabble-rousing exhortations to get out there and sell, sell, sell!
Instead I got this gently spoken guy taking us on a journey to places I at least hadn't seriously considered before
I came for the demagogue, but I got the pedagogue, for which I'm grateful.."
"We are proud to present and executive produce this series, starting with the feature length film "Sisters", soon to be shared with the world." - Tony Klinger
We are nearing even closer to sharing the magic of SISTERS with everyone. To keep everyone happy until then, we have the New SISTERS trailer ready for your viewing pleasure.
Dan Blackwell of 4Bar Collective will be will be releasing content both older (unreleased) and new on their Facebook page until the 4Bar Collective TV series titled ‘Peace Beats’ hits television screens around the world. Follow their page by clicking the link below and Stay tuned!
Click the button below to view the trailer for SISTERS!
And don't forget to follow Tony on all social media to keep up with all our Projects!
Gonzo’s new website gonzopublishers.com is now ready and online!
Gonzo Books is part of the Gonzo Multimedia family which also publishes records and DVDs, and has a fortnightly magazine (confusingly entitled Gonzo Weekly), a dedicated YouTube channel and a varied and eclectic internet radio station.
Gonzo Multimedia brings you a wide variety of products from a number of renowned artists and record labels, largely spanning rock and pop music from the '60s to today, and the Gonzo catalogue includes 100% exclusive products that are unavailable elsewhere.
Here you can find and purchase Tony’s Book’s, including
The Who and I, Under God’s Table, and the 2nd Edition Release of The Butterfly Boy with its beautiful new front cover!
Click either of the link's below to visit the website!
“The Butterfly Boy”
A novel by Tony Klinger
Tony Klinger, the writer of the Butterfly Boy, also makes films and occasionally lectures at universities. His current films are “THE MAN WHO GOT CARTER”, “SOLO2DARWIN” and “SISTER”, all in various stages of completion for release in 2019/20.
Asked why he had chosen this complex and controversial character as the hero of this novel he smiled and responded, “Heroes come in all shapes and sizes, and for me anyone who was against Hitler has me on his or her side.”
We talked about the book’s central character being disabled and Tony raised a hand to stop me, “It isn’t about his not being able to use his hands because he has polio, it’s about what he does do, his triumph over adversity, over anything that life throws at him, it’s that which makes him heroic. Don’t forget my fictional character was gifted to me by real examples of men and women who, every day, find a way to beat seemingly impossible odds to lead wonderful and productive lives. It so happens that my hero is a brilliant artist doesn’t stop him being a red-blooded man with all the lusts and loves and weaknesses of most people.”
Tony was born in London. At school he won prizes for his writing and with some friends ran a successful underground school magazine. He described it as a cross between an early Private Eye and a school rag that managed to make his schoolmates happy and his headmaster furious.
By the age of 18 Tony was making small professional films that received wide public distribution. This started with The Festival Game about that year’s Cannes Film Festival, and this went on to be one of the most successful documentaries in British cinema history. His next film, Extremes, was selected as an Outstanding Film of the Year at The London Film Festival and this set a pattern for a lifetime of winning awards for his film making and other skills approaching fifty and still counting.
Following this Tony worked on more than 500 media productions of all types and written articles, columns, blogs, screenplays. His film making has taken him and his family around the world, working on films and TV shows like, The Avengers, Gold, Shout at the Devil, Rachel’s Man, The Butterfly Ball, Deep Purple Rises Over Japan and many others, “I have loved many aspects of film making but ultimately find it unfulfilling creatively, that’s because it’s a craft for a group of people and that dilutes any pure ideas you might have had. That’s why I prefer writing books; it’s down to me if it works or if it doesn’t. The reason’s simple, when I make a film, even a small one it costs millions, but if I write a book its comparatively cheap, so publishers are much more prepared to let you have your creative head than film financing can permit. Also it’s a mechanical prerequisite that to make a film you need a big team of people, but to write a book it’s basically just you and a computer screen. I love being a writer, and to allow myself that title means that every day I’m writing I sit down in the morning and write, and I don’t get up until I’ve written between two and three thousand words.”
Over a distinguished career Tony headed several media companies both in the UK and USA. In 2009 the story behind the making of the film he produced about the legendary rock band, the Who, The Kids are Alright, featured in his book, Twilight of the Gods, which was published to acclaim world-wide and in its second edition reclaimed the title “The Who and I”. More recently his second novel, “Under God’s Table” was published on Gonzo and there are more exciting books from the pen of Klinger on route.
Tony now lives in Northampton, England, where he and his wife Avril moved recently to be nearer to family.
ABOUT THE BOOK: “The Butterfly Boy”
The Butterfly Boy is a powerful book that takes the reader on a dramatic, sweeping journey through two World Wars in Germany and races on around the globe throughout the tumultuous twentieth century. The Butterfly Boy is the story of Arnie, who is born to a Jewish woman, Bertha, and a German man before the First World War in the sleepy small town of Darmstadt in Germany.
Arnie’s parents are shunned by their respective communities for daring to try to bridge the great racial divide of the time. Her parents pray for her as if she were dead, and swear never to see her again. Arnie will never know his grand parents or the rich traditions of his true heritage. Arnie is gleefully unaware of this as he seeks the simple pleasures of play and the love of his mother common to small children everywhere. His father, Bertie, is away fighting for the Fatherland in the Great but ultimately fruitless World War 1 when Arnie tragically loses the use of his arms through polio, a paralyzing disease common in the early twentieth century.
Arnie struggles with both the normal tribulations of growing up, his mixed parentage, the nascent racism of the rise of Germany’s early Nazism and his attempts to turn his natural artistic ability and sharp mind into fully realized artistic accomplishment.
During Arnie’s early boyish battles at home his father returns from the War, defeated and bitter at the enemies of the Fatherland. Now he discovers that Arnie, the son he’d never seen is, in his mind, a cripple! He rejects his son and his wife for defending the boy. The once passionate love between mother and father degenerates into a bitter war of attrition and spite. Despite this, as an adolescent Arnie negotiates a path through life, finding a method to demonstrate his burgeoning talent as an artiste despite his handicap and his appeal to girls who find his handsome face, growing physique, ready smile and easy charm irresistible.
A boyhood enemy, Ratwerller, nurtures an undying hatred for Arnie, and he is to haunt the young artiste’s life as their battles become epic and in time, tragic. He is jealous of Arnie even though he seems to have the upper hand being his senior at school, able bodied and the Head Boy.
Arnie’s boyish journey through life takes a different turn when he discovers how wonderful and delightful girls can be. Women are drawn to Arnie, they want to look after him, to succour him and then it seems natural for them to bed him. His powers as a painter echo his appreciation for all that is beautiful.
Arnie qualifies to enter the finest art school in Hamburg where he meets Helmut, the son of Prussian aristocrats, who becomes his best friend. Together they party through the decadence of Germany’s Weimar Republic but the thuggish realities of the looming Nazis begin to haunt their blissful, fun filled existence.
They realize that they need to make money from their art if they want to be independent of their families. Together with a determined young woman they start to exhibit Arnie’s paintings and he begins to find fame. But he soon realizes that the buying public wants his art because they think he’s like a circus freak, rather than because he’s a good painter. This discovery nearly destroys Arnie and he has to harden his heart or go under emotionally.
By a process of trial and error the small group of artistes stumble on the idea of giving postcards depicting Arnie’s paintings to people in their homes and suggesting that they might like to make a donation to the mouth painting association, another name for Arnie and his business. This small enterprise blossoms into a hugely successful national commercial organization.
The Nazis win power and with this everything changes. Arnie, fast becoming rich and successful, rises to become one of Hitler's favourite artistes despite his handicap and his Jewish mother. Arnie risks his like to undertake covert activities for the allies and the Christian resistance movement. In a dramatic twist of fate Arnie kills his own father because he believes he has no choice.
Arnie matures into a great handsome bull of a man, who, despite not having the use of his arms still manages to be a great womanizer and hell raiser. The conflict between Arnie and his childhood nemesis, now senior Nazi officer, Ratwerller, is a battle to the death that slashes through their lives like a sharpened razor. They stop at nothing to seek the destruction of one another. Ratwerller even blackmails Arnie, forcing him to give the Nazi his wife to enjoy as his plaything.
Arnie never reconciles himself to this loss but discovers some respite when he marries another woman who makes him happy, they have twin boys together but before they can enjoy this she is killed in an Allied bombing raid. Arnie manages to smuggle his children and friends out of the country just in time to avoid them joining some of his mother’s family in the Nazi death camps.
After the war Arnie, The Butterfly Boy builds the Mouth Painting Charity around the world from which he makes tens of millions of dollars whilst destroying anyone that stands in his way. Arnie’s final commercial and moral test comes when a Congressional Committee of Enquiry into whether his business qualifies as a charity or is a giant fraudulent enterprise nearly tears his life apart.
As an older man, satiated by every indulgence and excess Arnie finally understands that his life is empty and vacuous. When his mother dies in Israel Arnie is too late to be with her at the end. But in his rush to be with her he reconnects with his sons, now handsome young Israeli men. This experience humanizes Arnie, and it rounds the circle of his tempestuous life; but not before he finds Ratwerller in a most unlikely hiding place and finally gains his revenge on the Nazi.
This is the story of Arnie, an extraordinary man, taking an extraordinary journey during extraordinary times. You will love and fear for Arnie, and be hypnotized by him. Arnie conquered all adversity to become the "greatest mouth painter in the world,” but he never eliminated all his demons until he had painted one more picture, bedded his last woman, took a reluctant last breath, smiled, and was free to dance with the butterflies.
Tony had one request when we were ending our discussion, “I hope anyone who reads my book, will, if nothing else, remember to think about what everyone does, their contribution to our society, rather than focus on the things they can’t do.”
TONY KLINGER COMES ON BOARD JEENI AS AMBASSADOR
JEENI is proud to announce their new Ambassador, the award winning film maker and writer, Tony Klinger.
Klinger has made several internationally acclaimed documentaries such as THE FESTIVAL GAME, EXTREMS both currently in re-release by distributors Gonzo Media alongside his book ( and DVD film package) of THE WHO AND I about his exploits producing THE WHO movie, THE KIDS ARE ALRIGHT. He has made many other feature films around the globe. Prior this, with his father, Michael who was also a world famous film producer making iconic films like GET CARTER, REPULSION and the CONFESSIONS series of films he worked on GOLD and SHOUT AT THE DEVIL with Roger Moore and Lee Marvin.
Tony said, “ I was thrilled to be invited to become an Ambassador with and for JEENI, I applaud and echo their ethical approach, and I was equally excited to engage with their amazing team so when they offered me the opportunity to share my knowledge of the music business, film making and creativity.”
Klinger’s fascination with ways of sharing the creative processes with business and commercial know how has seen him create initiatives like his own https://www.give-get-go.com and before that with Artists United and bCreaive. “I discovered this need for sharing and spreading knowledge when I was a university academic.” His outstanding success led to his students winning many awards and their success continued when they graduated leading to illustrious professional careers.
Klinger had already made it clear, “I wanted to be involved in projects that continue and grow my dream that enables everyone to enjoy their creativity. JEENI is another big step in this seemingly endless search without me being sanctimonious or unreal, it still excites me, but also enables our audience to fully enjoy and think about the world we share.”
Our users of JEENI will be three dimensional and complex. Their projects might not be obvious but are, nevertheless understandable, In effect the JEENI community are the project. Above all they are individuals who can overcome their personal battles because they’re so empathetic, energetic and enthusiastic that you’ll want to engage with this emotional and creative roller coaster ride while their audience becomes fully engaged.”
Shena Mitchell, Founder Director of JEENI said, “We are hugely excited to have brought Tony into our family. He has an amazing track record and this experience and success in both the film and music industry proves he is a huge plus for us and we are already enjoying our work with him.”
Further information about JEENI can be found in the link below!